A Real Pain – An Introspective Exploration of Judaism

Few actors have established themselves in the world of indie cinema as successfully as Jesse Eisenberg. Known for his fast-talking, sharp demeanor, and his intellectual, yet anxiety-laced sense of humour, he brings a distinct energy to the world of independent film that has made him a fixture at film festivals like Sundance. Over the years, he’s collaborated with celebrated filmmakers such as David Fincher, Noah Baumbach, and Kelly Reichardt, so it was only a matter of time before he stepped behind the camera himself. Eisenberg made his directorial debut with When You Finish Saving the World, one of the most anticipated films from the 2022 Sundance Film Festival. The film proved to be a major flop that received a widely negative response from critics. That being said, many wondered if he would return to directing after the setback. However, just two years later, Eisenberg returned to Sundance with his sophomore effort, A Real Pain.

A Real Pain sees Eisenberg star alongside Kieran Culkin as David and Benji, a pair of estranged cousins whose only real connection lies in their shared family history. David works a 9-5 and is a seemingly well-adjusted but intensely anxious family man, while Benji is his polar opposite—an extroverted free spirit with little regard for convention who still hasn’t gotten his life together. Looking to reconnect, the cousins plan a trip together to Poland for a guided tour visiting Holocaust memorials to honor their late grandmother, who had just recent passed. Not only is the film a substantial improvement on all fronts from Eisenberg, it also cements his potential as a director and screenwriter. This time around, with a clear personal connection to the material, that authenticity shines through. Here, Eisenberg delves into themes of Jewish identity and intergenerational trauma with a sensitivity that feels timely, especially in an era of rising antisemitism.

Filmed on location in Poland, A Real Pain captures many historically significant sites tied to WWII and the Holocaust. Eisenberg approaches filming in these locations with a deep sense of reverence, allowing the emotional weight of these places to resonate, not only with the characters but also with the audience. His writing shines here, crafting a rare example of a film exploring the modern day Jewish experience. However, the film also offers a thoughtful look at the universal complexities of family relationships. Eisenberg’s script is deeply nuanced and filled with fully realized, complex characters who feel authentic in their differences, yet connected by the bonds of family.

The performances are stellar, particularly Culkin, who brings a magnetic presence to every scene. Benji is a captivating wild card, but Culkin infuses him with a deep sadness and humanity that makes him truly compelling to watch. With such a towering performance, it would be easy for Eisenberg’s more understated role to fade into the background, but he holds his own as David, delivering a nuanced portrayal and one of his best in years. Meanwhile, from a storytelling standpoint, the film may not break new ground—it’s a familiar story of an unlikely duo learning to see beyond their differences through the bond of family. However, Eisenberg and Culkin elevate it significantly through their dynamic.

In the end, A Real Pain is a thoughtful and poignant exploration of family, identity, and the weight of Jewish heritage. In his sophomore directorial effort, Eisenberg proves himself as more than capable, crafting a story that strikes a perfect balance of humor and introspection, all while navigating complex themes with a real sensitivity and insight.

still courtesy of Searchlight Pictures

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Tristan French