Viva Maestro – A Well-Intentioned Yet Limited Documentary

Ted Braun’s Viva Maestro offers viewers a glimpse into the professional life of Gustavo Dudamel, music director of Los Angeles Philharmonic, amidst growing political unrest in his home country, Venezuela. The film kicks off in 2017 with him rehearsing with Simón Bolívar Symphony Orchestra, his last time in Venezuela. From there, the film follows his journey since, including his musical endeavors and efforts to curb the adversity of his country’s situation through music and arts.

The power of Viva Maestro stems from its depiction of Dudamel’s conducting and music. He is a strong proponent of believing in music’s ability to transform societies. His beliefs come across from his short speeches during rehearsals, interview clips from his car, office, house, and his constant philanthropic efforts to help young children master the art of music. The music in this film has a strong resonance with these ideas. Meanwhile, Dudamels talk about conflict and tensions in the symphonies, and these are rightly brought out here. His conducting gestures’ enthusiasm and passion for music speak all about the young prodigy. There is a close relationship between his music and his beliefs, and the film does not miss highlighting that.

Apart from the music, the film heavily invests in Dudamel’s philanthropic efforts to save the Venezuelan music culture. His association with El Sistema is a major talking point as he tries to keep the hopes of these underprivileged children alive. His hope for the future of music is firmly rooted in today’s children. He is actively engaged with Venezuelan children and all young musicians from across the globe. The film also delves into his political views. His initial abstinence from interfering in politics, eventual stand against the Venezuelan government, and the consequences of it all. The government hits back by canceling his tours, barring him from returning to his country.

While the film promises to be a portrait of Gustavo Dudamel, it sadly refrains from going anywhere beyond his professional life. His music, involvement with El Sistema and other orchestras, and entanglement with the Venezuelan Government are talked about. But, not going into his personal life does not reveal the whole picture. It can also be a potential hurdle for audiences not acquainted with Dudamel or his works. The film could have carried more substance, but its purview remains limited.

Viva Maestro is not a documentary about Venezuela and its many recent troubles. The film stays focused on what it wants to talk about and what not to talk about. It is, in essence, about Dudamel’s obstacle-ridden journey and his constant efforts to right the wrong through music, arts, and culture.

In the end, Viva Maestro is worth a shot for those willing to know more about the famed conductor’s recent works. It is a testimony to his beliefs and ideas about the power of music.

still courtesy of The Impact Series

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