Persuasion – A Modernist Misfire (Early Review)

Some things are better left untouched, and Carrie Cracknell’s Persuasion is the perfect example of that. Persuasion, an adaptation of Jane Austen’s book of the same name, attempts to spice things up by delivering a modernist take on the classic tale but in the end, only ends up alienating viewers from the original source material.

The story follows Anne Elliott (Johnson) for whom years ago, because of financial and social differences, was persuaded to let go of her love, Frederick Wentworth (Jarvis). Anne regretted that decision ever since, however, her circumstances soon took a turn upon the return of Frederick who was now a rich and admired Navy Captain.

Giving a modernist touch to period dramas is a concept that is not new or unheard of. The biggest example of this was perhaps Bridgerton, a recent Netflix series, but there have been plenty of other examples of this. While it is perfectly fine to refine classic stories for modern times, where Persuasion fails is with its lazy writing that is often laced with forced and out-of-place contemporary lingo. As a result, the film simply lacks the gravitas and depth of an Austen novel. Meanwhile, there is a complete lack of focus on social commentary, which is always a highlight of Austen’s novels. Instead, the film aims for romcom feels with a tang of sassiness. It ultimately misses out by attempting to tread both waters without ever succeeding at either.

That being said, the film’s problems don’t stop there. The uneven pacing makes it hard for viewers to remain engaged as the first and third acts feel like a breeze, whereas the second act arguably feels unnecessarily slowed down. The lack of chemistry between Johnson and Jarvis as Anne and Frederick is another factor in their frail romance story. Though Netflix has labeled the film ‘swoonworthy’, there isn’t much to swoon for here.

To the film’s credit, it stars one of the world’s most talented actors in Dakota Johnson who charms her way as Anne throughout the film. Her monologues breaking the fourth wall provide much of the comic relief in a way that is reminiscent of Fleabag. The lessons from her suffering are clear – when it feels like one is making the right choice, one should not succumb to the pressure of those around them who may think otherwise.

At the end of the day, Austen fans have been lucky when it comes to quality movie adaptations but unfortunately, Persuasion is one that misses the mark. It is a trifle in the saga of classic adaptations and should be put aside the minute viewers are done with it.

still courtesy of Netflix

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