SXSW 2024: I Saw the TV Glow Review

Brett SchuttApril 16, 2024100/1006815 min
Starring
Justice Smith, Brigette Lundy-Paine, Ian Foreman
Writer
Jane Schoenbrun
Director
Jane Schoenbrun
Rating
PG-13 (United States)
Running Time
100 minutes
Release Date (US)
May 3rd, 2024
Release Date (CAN)
May 17th, 2024
Overall Score
Rating Summary
I Saw The TV Glow is a hauntingly beautiful film that delivers one of the most unique audience experiences of the year so far.

This will be one of many reviews during this year’s SXSW Film Festival, to keep up with our latest coverage, click here.

I Saw the TV Glow is the latest film from Jane Schoenbrun, director of the divisive cult classic We Are All Going to the World’s Fair. With their new film, Jane has created something much larger in scope and scale. The film stars Justice Smith as Owen and Brigette Lundy-Paine as Maddy, two teenagers who bond over a campy late night TV show for whom share a supernatural connected to. This premise was merely a jumping off point, leading to one of the craziest and most cerebral experiences audiences will have all year and a film that is an absolute magnum opus.

Let’s face it, I Saw the TV Glow is inevitably going to be another divisive film. The film offers a very strange and unique look at identity and suppression that also happened to turn into a surrealist nightmare. While one could call it a horror film, it is also one drenched in existential dread. Above all else, it is a film about the human condition and the trauma that can follow when someone finds themself not allowed to be themselves and no longer feeling safe. On a technical level, the film features some of the most stunning cinematography of the year. Its use of color stands out and is truly breathtaking to behold. Meanwhile, its sound design is immaculate and an interesting soundscape that is unlike anything else. It is perfectly complimented by a stellar soundtrack that will surely become a staple for a large portion of teenagers growing up.

The film simply has the makings to become the next cult classic for outsiders. Though gull of queer allegories in it, it is one that will resonate with all audiences who feel like outsiders in their own way. It is an emotional piece of filmmaking and one that will stay with audiences long after the credits roll. Jane Schoenbrun is a talent to watch, creating one of the most unique pieces of filmmaking this year and one that will stay in the cultural conversation for years to come.

At the end of the day, I Saw The TV Glow is a hauntingly beautiful film that delivers one of the most unique audience experiences of the year so far, not to mention, is arguably one of A24’s best films to date.

still courtesy of VVS Films


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