This Christmas season is severely lacking in holiday hijinks leaving the door wide open for feel-good family films to take its place. While Mary Poppins Returns caters to children and families, could Second Act fill that void for older audiences?
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With Indivisible. does this marriage of war and faith-based genres finds its voice (and meaning) in this cinematic telling or does it flounder in trying to find its message (point) across in a theatrical presentation?
With The Nutcracker and The Four Realms, Disney is continuing with its wave of live-action adaptations by finally moving away from re-sourcing its animated content to focus on a classic Christmas tale (although technically this one was a segment in Fantasia). Can they continue the trend of success seen in The Jungle Book and Beauty in the Beast or will this be another Cinderella?
When discussing the genre of period biopics a few actors instantly come to mind: Judi Dench, Cate Blanchett and Helen Mirren. However, none have burst onto the scene and become such a staple in the genre like Keira Knightley has. After her breakout performance in Pride & Prejudice, Knightley has gone on to star in a new biopic every few years with this being her first since 2014. Could Colette be her ticket to nabbing...
When it comes to Westerns, the expectation is a picturesque, action-packed drama that looks into the dangerous atmosphere of the era and the perils that its inhabitants faced. Most of the time these films are remembered for their intense stand offs and gory fight scenes, but it seems for Jacques Audiard’s English-language debut he had something less conventional in mind with The Sisters Brothers.
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